sketch by Pascale Evrard
 
 

Purity of Intent and an Exquisite Choice of Notes is what Bach and Bird and all great music share in common.

— David Amram

 


Trio No. 1

 

for violin, cello and piano

My first piano trio is written in one continuous movement. It begins with a soft trill in the piano, which becomes a major recurring element as the work unfolds. A more rhythmic idea is soon introduced, setting up the contrapuntal texture that pervades the composition. About a third of the way through there is a delicate duo between the violin and cello, which begins a set of variations, forming the central section of the trio. This is followed by a contrapuntal crescendo which brings the work to a close with a flurry of trills, tremolos and a final burst of notes.

Having written a cello sonata for Jesus Morales and David Riley, it was natural for me to want to compose a trio for them when Jasper Wood was added to the ensemble. The trio was premiered in Sandpoint, Idaho, at Gunther Schuller’s Sandpoint Festival in 1995. It is dedicated Los Tres Musicos, the trio of Wood, Morales and Riley, who have performed it on numerous occasions throughout the United States.